Grażyna Jurkowlaniec - Instytut Historii Sztuki UW

MA in art history 1995; PhD 2000; post doctoral degree (habilitation) 2009; Professor title awarded by the President of the Republic of Poland 2019.

since 2019 Full Professor at Institute of Art History, University of Warsaw
since 2020 Deputy Dean of the Faculty of Culture and Arts
2019-2020 Chair of the Scientific Council of Arts Studies at University of Warsaw
2016-2020 Deputy Dean of the Faculty of History, University of Warsaw
2012-2016 Director of the Institute of Art History, University of Warsaw
2000-2019 Assistant Professor at Institute of Art History, University of Warsaw

Professional activities

since 2021 member of the jury of the Preis des Historischen Kollegs (Munich)
since 2024 Chair of the Foundation for Polish Science’s Council
since 2020 editor of Journal of Early Modern Christianity
since 2018 member of the advisory board of the Eikón Imago, a journal published by Departamento de Historia de Arte, Universidad Complutense de Madrid
2015-2023 member of the Committee on Art Studies of the Polish Academy of Sciences (two terms)
2015-2022 member of the Scientific Council of the Institute of History, Polish Academy of Sciences (two terms)
2013-2020 member (2018-2020) chair of the jury of the Polish-German Scientific Award COPERNICUS, a common undertaking between the Foundation for Polish Science (FNP) and Deutsche Forschungsgemeinschaft (DFG)
2019-2021 member of the advisory board of Ikonotheka, a journal published by the Institute of Art History, University of Warsaw
2019-2020 member of the Ethics Commission of the Foundation for Polish Science (FNP)
2017-2020 member of the advisory board of the Studia Muzealne, a journal published by the National Museum in Poznań
2013-2020 member of the advisory board of the Journal of the National Museum in Warsaw. New Series
2014-2016 member of the board of the National Program for the Humanities (Narodowy Program Rozwoju Humanistyki – NPRH) appointed by the Minister of Science and Higher Education (MNiSW)

Research projects

2024-2029 Scholars, Animals, Images, Geographies and the Arts: De-exoticizing Eastern Europe in the Early Modern Period (SAIGA) (European Research Council, Advanced Grant)
2019-2024 Matrix of Confusion. The Production of Woodcut Illustration in Poland-Lithuania and Prussia until the Early Seventeenth Century supported by the National Science Centre, Poland (OPUS 16)
2016-2020 Reframed Image: Reception of Prints in the Kingdom of Poland from the End of the Fifteenth to the Beginning of the Seventeenth Century. Objects – People – Milieux – Processes supported by the National Science Centre, Poland (OPUS 9)
2014-2017 Agency of things. New perspectives on European art of the fourteenth-sixteenth centuries supported by the National Science Centre, Poland (OPUS 5)

Fellowships and research stays

2021-2022 – Fellow at the Leibniz-Institut für Europäische Geschichte, Mainz (in part as a renewed stay in Germany supported by the Alexander von Humboldt-Stiftung)
2019 Guest at the Herzog August Bibliothek, Wolfenbüttel
2017 Fellow at the Forschungskolleg Humanwissenschaften, Bad Homburg
2015 Erasmus+ Staff Mobility for Teaching (KU Leuven, Faculty of Theology and Religious Studies)
2010 Humboldt Research Fellowship for Experienced Researchers – Humboldt-Universität zu Berlin and Zentralinstitut für Kunstgeschichte in Munich
2009-2010 Guest at the Herzog-August-Bibliothek Wolfenbüttel
2007 Lanckoroński Fellowship (Rome)
2007 Guest researcher at the Geisteswissenschaftliches Zentrum Geschichte und KulturOstmitteleuropas an der Universität Leipzig – GWZO
2005/2006 Fellow at the Wissenschaftskolleg zu Berlin (Andrew W. Mellon East-Central European Research Fellows Program)
2003 Lanckoroński Fellowship (Rome)
2001 Summer session at the Centre d’Etudes Supérieures de Civilisation Médiévale, Poitiers

Selected publications

Books as author

2017 Sprawczość rycin. Rzymska twórczość graficzna Tomasza Tretera i jej europejskie oddziaływanie (The Agency of Prints. Tomasz Treter’s Printmaking in Rome and Its Impact in Europe), Cracow: Universitas, 2017 (400 pages, 152 illustrations)
2008 Epoka nowożytna wobec średniowiecza: Pamiątki przeszłości, cudowne wizerunki, dzieła sztuki (The Early-Modern Period in Relation to the Middle Ages: Relics of the Past, Miraculous Images, Works of Art), Wrocław: Wydawnictwo Uniwersytetu Wrocławskiego, 2008 (589 pages, 124 + IX illustrations)
2001 Chrystus Umęczony. Ikonografia w Polsce od XIII do XVI wieku (Iconography of the Man of Sorrows in Poland from the 13th to 16th century), Warsaw: DiG, 2001 (352 pages, 92 illustrations)

Books as editor

2020 The Reception of the Printed Image in the Fifteenth and Sixteenth Centuries. Multiplied and Modified, eds. Grażyna Jurkowlaniec and Magdalena Herman, New York: Routledge
2017 The Agency of Things in Medieval and Early Modern Art. Materials, Power and Manipulation, eds. Grażyna Jurkowlaniec, Ika Matyjaszkiewicz and Zuzanna Sarnecka, New York: Routledge (Open Access)
2009 East Meets West at the Crossroads of Early Modern Europe, eds Grażyna Jurkowlaniec and Jeannie Łabno, Warsaw 2009 (= Ikonotheka, vol. 22)
2008 Erwin Panofsky, Perspektywa jako „forma symboliczna” [Die Perspektive als „symbolische Form“], transl., introd., afterword Grażyna Jurkowlaniec, Warsaw: Wydawnictwa Uniwersytetu Warszawskiego
2006 Artem quaevis alit terra. Studia professori Piotr Skubiszewski anno aetatis suae LXXV oblata, Warsaw 2006 (= Ikonotheka, vol. 19)

Articles and chapters

Bones of contention: Johann Heinrich Merck’s palaeontological encounters with academic scholars and professional printmakers, Notes and Records: the Royal Society Journal of the History of Science 77/3 (2023): 575-604 accessible online https://doi.org/10.1098/rsnr.2022.0014
The Bison Trail through the Hercynian Forest: Names, Images, and Identities in Ptolemy’s Tabula Europae IV and Münster’s Cosmographia, Viator. Medieval and Renaissance Studies, 53/1 (2022): 307-345 open access https://www.brepolsonline.net/doi/abs/10.1484/J.VIATOR.5.134465
Reused Matrices, Adopted Iconographies, and Misleading Images. Woodcuts on the Title Pages of Luther’s Early Sermons on the Sacraments, in: Print Culture at the Crossroads The Book and Central Europe, eds Elizabeth Dillenburg, Howard Louthan, and Drew B. Thomas, Leiden: Brill 2021 ‹Library of the Written Word, 94›, pp. 215–244
(with Maciej Ptaszyński) Anticlerical Motifs in the Illustrations of Martin Luther’s Hauspostille, Religions, 11(12): 2020, 633, https://doi.org/10.3390/rel11120633
Church Authority and Individual Devotion. The Cult of the Maria Regina of Santa Maria in Trastevere in Rome until the Late Sixteenth Century, In Häuslich – persönlich – innerlich. Bild und Frömmigkeitspraxis im Umfeld der Reformation, eds Maria Deiters and Ruth Slenczka, Berlin: De Gruyter 2020, pp. 379–396
Early Engravings by Giacomo Lauro Published by Claudio Duchetti, Print Quarterly, 37, 2020, pp. 3-12
Masterpieces, Altarpieces, and Devotional Prints: Close and Distant Encounters with Michelangelo’s Vatican Pietà, Religions, 10(5): 2019, 309, https://doi.org/10.3390/rel10050309
Printed Images Crossing Borders: an Allegory of the Catholic Church and Its Dissemination in Late Sixteenth Century Europe, In Transregional Reformations. Crossing Borders in Early Modern Europe, eds. V. Soen, A. Soetaert, J. Verbeckmoes, W. François, Göttingen: Vandenhoeck&Ruprecht 2019 ‹Refo500 Academic Studies, 61›, pp. 205-244
Konfessionelle Bilder? Die Lutherbibel und die Bibelillustrationen des 16. Jahrhunderts in Polen, In Der Luthereffekt im östlichen Europa. Geschichte, Kultur, Erinnerung, eds. Joachim Bahlcke, Beate Störtkuhl, Matthias Weber, Berlin: DeGruyter Oldenbourg, 2017, pp. 197-209 (English version: Confessional Images? The Luther Bible and Sixteenth-Century Biblical Illustrations in Poland, In: The Luther Effect in Eastern Europe: History, Culture, Memory, eds. Joachim Bahlcke, Beate Störtkuhl, Matthias Weber, Berlin: DeGruyter Oldenbourg, 2017, pp. 197-209)
Between the First and the Third Rome: the Cult of Marian Images in the Polish-Lithuanian Commonwealth, In L’icône dans la pensée et dans l’art. Constitutions, contestations, réinventions de la notion d’image divine en contexte chrétien, ed. Kristina Mitalaitė, Anca Vasiliu, Turnhout: Brepols, 2017, pp. 387-421
An Encyclopaedia of the Catholic Faith dedicated to Mark Sittich von Hohenems IV: an unknown engraving by Natale Bonifacio and Gijsbert van Veen republished by Giacomo Lauro, Barockberichte, 64: 2016, pp. 69-81
A Miracle of Art and Therefore a Miraculous Image. A Neglected Aspect of the Reception of Michelangelo’s Vatican Pietà, Artibus et Historiae, 72: 2015, pp. 175-198
La porpora cardinalizia e l’arte nera dell’incisione: Tomasz Treter tra gerarchie ecclesiastiche e stampatori romani e veneziani, In Italian music in Central-Eastern Europe. Around Mikołaj Zieleński’s ‘Offertoria’ and ‘Communiones’ (1611), eds. Tomasz Jeż, Barbara Przybyszewska-Jarmińska, Marina Toffetti, Venezia: Fondazione Levi, 2015, pp. 87-107
(with Maria Crăciun), Visual cultures, In A Companion to the Reformation in Central Europe, eds Howard Louthan and Graeme Murdock, Leiden: Brill, 2015, pp. 412-450 ‹Brill’s Companions to the Christian Tradition, 61›
The Rise and Early Development of the Man of Sorrows in Central and Northern Europe, In New Perspectives on the Man of Sorrows, eds. Catherine R. Puglisi and William L. Barcham, Kalamazoo: Medieval Institute Publications, Western Michigan University, 2013, pp. 48-76 ‹Studies in Iconography: Themes and Variations›
Between Cult and Antiquarianism. Evaluation of Medieval Images in the Early Modern Era, In De l’objet cultuel à l’oeuvre d’art en Europe. Repères de l’évolution, ed. Frank Muller, Genève: Droz, 2013, pp. 317-336, ‹Cahiers d’Humanisme et Renaissance n° 116›
“Cracovia altera Roma”. Medieval Images, Medieval Saints and the Shaping of Urban Piety in Cracow of the Seventeenth Century, In Gelehrte Geistlichkeit – geistliche Gelehrte. Beiträge zur Geschichte des Bürgertums in der Frühneuzeit, ed. Luise Schorn-Schütte, Berlin: Duncker & Humblot 2012, pp. 155-184 ‹Historische Forschungen, Bd. 97›
L’immagine della Chiesa nelle stampe di Tomasz Treter dedicate a Stanisław Hozjusz. Contributo polacco alla cultura artistica europea ai tempi della controriforma, Atti dell’Accademia Polacca, 2: 2011 [2012], pp. 130-150
The artistic patronage of Ladislaus Jagiełło. Beyond the opposition between Byzantium and the Renaissance, In Bizancjum a renesansy. Dialog kultur, dziedzictwo antyku – tradycja i współczesność / Byzantium and Renaissances. Dialogue of Cultures, Heritage of Antiquity, Tradition and Modernity, ed. Michał Janocha e.a, Warszawa 2012, pp. 271-281
Der inszenierte Blick auf das Gnadenbild und zwei „verletzten“ Figuren in der Zisterzienserklosterkirche Grüssau im 18. Jahrhundert, In Sehen und Sakralität in der Vormoderne, eds. David Ganz and Thomas Lentes, Berlin: Reimer 2011, pp. 200–217 ‹KultBild, 4›
Cult and Patronage. The Madonna della Clemenza, the Altemps and a Polish Canon in Rome, Zeitschrift für Kunstgeschichte, 72: 2009, no 1, pp. 69–98
West and East Perspectives on the „Greek Manner“ in the Early Modern Period, In East Meets West at the Crossroads of Early Modern Europe, eds Grażyna Jurkowlaniec and Jeannie J. Łabno, Warszawa 2009 [=„Ikonotheka“, no 22], pp. 71–92
Faith, Paragone and Commemoration in Dürer’s “Christomorphic” Self-Portrait of 1500, In Faith and Fantasy in the Renaissance: Texts, Images, and Religious Practices, ed. Olga Zorzi Pugliese, Ethan Matt Kavaler, Toronto: Centre for Reformation and Renaissance Studies, 2009, pp. 209–228 ‹Essays and studies, 21›
A Typological Confrontation of the Man of Sorrows and David at the Turn of the Thirteenth Century, Konsthistorisk tidskrift, 73: 2004, no 2, pp. 87–97

Ostatnia aktualizacja 02/10/2024